Playing with Vocal Sounds
Jazz singing allows for everyone to find their unique sounds and modes of expression. In this class students will learn Read More
Fundamentals and Musicianship for Vocalists Courses
Making Old Standards New Again
In this class, we’ll arrange jazz standards, changing identifying features of the tunes such as time signatures & key signatures. Read More
A Capella and Rubato Singing
Students will learn the skills necessary to sing A Cappella (without accompaniment, one of the most challenging aspects of singing) Read More
Sight Singing For Studio Applications
Along with covering fundamentals such as keys, time signatures, rhythmic values and divisi, this class will build upon them by Read More
Singing Circle with Annie Sellick
Through a set of basic guidelines provided, we create all-vocal improvisations as a group. Along with mouth percussion and basslines, Read More
Top to Bottom Musicianship and Repertoire
Strengthen your vocal skills and repertoire; Discover and develop the VERY best in your vocal expression, range and repertoire. Learn Read More
Comparative Listening for Vocalists
Are you a budding vocalist who usually only hears the melody when you listen to a jazz recording? Your ears Read More
Chart-Writing for Vocalists
A class covering the basics of notation and application to writing simple chord charts. Intros and endings to tunes are Read More
Beginning Arranging for Vocalists
The next step after chart-writing. This course includes intros, endings, and modulations. This class is beneficial for instrumentalists as well. Read More
Ear Training 3
A continuation of Ear Training 2. Emphasis on upper structure chords, alterations, dictation and transcription.
Intermediate Vocal Performance Techniques Part 2
A continuation of Beginning Performance Techniques with more selective songs and longer sets.
Beginning Vocal Performance Techniques Part 2
A class designed for the beginning performer who has done minimal stage work. Two songs required for the performance. Beginning Read More
How To Build Your Repertoire
How do you know which songs are good for you? Are there styles that are lacking in your book? Do Read More
Rhythm Section Grooves for Rhythm Section & Vocalists
An important class for instrumentalists and vocalists, this course explains the different rhythmic grooves or styles that a performer can Read More
A Cappella and Rubato Singing
Students will learn the skills necessary to sing A Cappella (without accompaniment, one of the most challenging aspects of singing) Read More
Soul Song: Set Your Inner Musician Free
This class is for all musicians – singers, instrumentalists, and writers alike. The course will focus on releasing the blocks Read More
Get in the Pocket
This is an essential class for the intermediate to advanced vocalist or instrumentalist. With a drummer as the only accompanist, Read More
Musicianship for Vocalists
This is an essential class for the beginner to intermediate vocalist who wants to communicate and develop the basic musical Read More
Vocal Improvisation 1
Students will learn the basic concepts of improvisation with topics including rhythmic syllables and spoken scat, basic root motion and Read More
The Art of Phrasing
Students will explore speech level singing, back phrasing, singing over the bar line, and balancing long and short phrases. Students Read More
Keyboard Basics
In this class, students study the keyboard, learning note names, intervals, chord structures, and musical notation in an easy to Read More
Improv Comedy for Musical Artists
A fun and engaging virtual class that shines some serious light on skills that musical artists need: the ability to Read More
Ear Training 1
This course will discuss basic intervals and how melody lines are constructed, triad (major, minor, diminished and augmented), 4 note Read More
Ear Training 2
A continuation of Ear Training 1, this class will give students a better understanding of chord extensions and their inversions. Read More
Vocal Improvisation 2
Students will continue to explore basic chord progressions, including the concept of ‘II-V-I’ turn-arounds, major and minor diatonic progressions, and Read More